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Artwork-Vault > Famous Painters > Sorolla > Walk on the Beach
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Related: Modern Sorolla

Walk on the Beach, J. Sorolla

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Author: Joaquín Sorolla y Bastida
Original Title: Paseo a orillas del mar
Type: Painting
Style: Luminism
Medium Oil
Support: Canvas
Year: 1909
Genre: Costumbrism
Subject: Valencia Beach
Located: Sorolla museum, Madrid.
TCSR0021
Sale price$241.00 USD
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The artist demonstrates here his mastery of luminism, a style characterized by the study of natural light effects. The loose yet precise brushstrokes recreate the wind stirring the veils and skirts, while the soft blue and light tones suggest the freshness of the sea and the salty breeze. His use of nuanced whites, far from uniform, reveals his ability to translate light into a subtle range of golden and silvery reflections, creating a vivid and realistic atmosphere.

Considered one of the pinnacles of his mature period, this work also reflects the painter’s more intimate side. Sorolla often used his family as models, bringing into his art the calm of everyday life and his emotional connection to his surroundings. "Walk on the Beach" is not merely a coastal scene, but a personal vision of the Mediterranean that inspired him throughout his career: luminous, serene, and full of movement.


Why is this painting famous?

Walk on the Beach by Joaquín Sorolla is famous for capturing, with unmistakable technical mastery, the light and movement of the Mediterranean. It depicts the artist’s wife and daughter walking along the shore, wrapped in white fabrics that seem to shimmer in the wind and sunlight. Its fame comes from how Sorolla brought Luminism to its highest expression, turning an intimate scene into a universal celebration of light and outdoor life. Discover more famous paintings

ARTIST DATA

Full Name: Joaquín Sorolla y Bastida.
Birth: 1863, Valencia, Spain.
Death: 1923, Madrid, Spain.

He was born in Valencia on February 27, 1863, in a Spain that was beginning to see light and color with new eyes. His work is the purest reflection of Spanish luminism, a movement he himself elevated to its highest expression, and of impressionism, from which he adopted freshness and chromatic vibration.

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