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Artwork-Vault > Famous Painters > Lempicka > Autoportrait (Tamara in a Green Bugatti)

Autoportrait (Tamara in a Green Bugatti), Lempicka

Dimensions (inches):
About Canvas Sizes
Author: Tamara de Lempicka
Type: Painting
Style: Art déco
Medium Oil
Support: Canvas
Year: 1929
Genre: Retrato
Subject: City life
Located: Private Collection, Switzerland
TCLE0001
Sale price$175.00 USD
Shipping and taxes included

The painting presents a close-up view of the interior of a green Bugatti sports car. Lempicka depicts herself at the wheel, with a firm and distant gaze, wearing a helmet and a leather coat that reflect the fashion and mechanical spirit of the time. Her brown glove and the metallic folds of her jacket seem to extend the car’s bodywork, merging the female figure with the machine in a harmony of aerodynamic lines and cool chrome.

From a technical perspective, the work is a masterful example of the Art Deco style: precise composition, sharp contours, and a controlled palette of greens, grays, and silvers. The sculptural treatment of the face reveals Lempicka’s fascination with geometry and formal perfection. Every brushstroke suggests movement and speed, yet also total control over both.

Here, Tamara paints herself as a modern heroine: confident, elegant, and untouchable. The car—an object of masculine desire—becomes a metaphor for autonomy and power. She does not pose; she drives. She does not look at the viewer; she asserts herself.

Ninety years later, this image remains a constant reference for photographers, designers, and fashion brands who recognize it as a timeless icon of elegance and strength. In an era where aesthetics and speed continue to shape visual culture, Lempicka’s “Green Bugatti” endures as a clear representation of female autonomy and power in modern art.

ARTIST DATA

Full Name: Maria Górska.
Birth: 1898, Poland.
Death: 1980, Mexico.

Tamara de Lempicka was born in Warsaw in 1898 into a wealthy family that allowed her, from a young age, to experience European art and culture. During her adolescence, she moved to Italy, where she discovered her passion for painting while admiring the works of the Renaissance. That early fascination with the Italian masters would profoundly shape her style, defined by geometric elegance and mastery of the female form.

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